Hello Friends,
I’ve realized that I tend to riff in the audio version/voiceover. If you want a few sidebars about the banned books, that where they are. 😊
On the anniversary of my mother’s death
If you read Be a Cactus last week, you know that it was the first anniversary of my brother's death and that today is the fourth anniversary of my mother's death. To state the obvious, the holidays have a different atmosphere than they used to.
On this anniversary, I’ll be helping a friend with a garage sale at her mom’s house. I’m heading out her way a few days early to sort and label things along with two other friends who are coming from the Bay Area. The mom who owns the home recently moved to nursing care after falling and breaking her femur. So—sorting out parents’ stuff is on my mind.
Since my parents died, months apart in 2020, I’ve been writing a lot about them. Creative nonfiction, mostly. I wrote an essay, published on HuffPost, about their obsession with sexual purity for my sisters and me. It went viral in many places. I’ve also tried to write to understand and empathize with my mother. That work has been of less interest to publishers (“Loved this, but it’s not quite a fit. Please send us more of your work!”) A thing I learned: it’s hard to write about your mother.
I have some longer unpublished essays about caring for my parents during the pandemic and about my mother’s pride in her Irish background. I decided to go another direction and write about her in drabbles—that is, in (exactly) 100-word stories.
A person can’t be condensed into such a short form, but it has helped me to think about the forces that shaped my mom. I could only look at one aspect of her at a time, so these drabbles are named after parts of her body—her teeth, her ankles, her tongue. Then I tried to write one about the tiny orange tree we bought to commemorate her. It’s a bit of a mess for only 100 words. What I want to say there may not fit the micro-form. Finally, I took the drabble “My Mother’s Tongue” and converted it into a poem, which is a bit longer, about 115 words. But I think I like it better. To be sure, poetry is not my forte, but some friends who are poets helped me with the line breaks.
So, Mom, here’s for you.
Three Meditations on the Death of My Mother During a Pandemic
My Mother’s Teeth
Were a full plate of false, which she hid, being but thirty. Her secret discovered when, brushing in the shower, she dropped them, chipping the right front incisor. A backhanded gift of realism. Mother of five, measuring herself against conventional beauty standards, she daily lowered her bucket of desire into a well of shame.
Decades on, suffering from dementia, she is a pandemic convict, I her voluntary cellmate. Awaiting the advent of order, I urge her to finish her lunch. She removes her teeth at the table, wedging her fingernail between molars, flicking a bit of lettuce in my direction.
My Mother’s Ankles
Forced offices of intimacy now bind us, though you never desired touch. You accept me scrubbing your back, trimming your toenails. Bending to dry your feet, I note your swollen ankles, comprehend their meaning, having been through this with my in-laws. Your heart is failing. Tucking you in for the night, I raise your feet on pillows. I place a hand over your ankle, gauging.
“You’re warm,” you say. “That feels good.” Your words an invitation to rest a second hand on your other ankle. I’ll remain here, a sentinel at the foot of your bed, awaiting your imminent sleep.
The poem after the drabble “My Mother’s Tongue”
Mother Tongue
Where did your consciousness go? I call you
from every corner of the room. Some days
you identify me. My daughter.
I can see this is a win for you, but the home
care nurse presses. What’s her name?
You pull many from memory, none of them mine.
Rosemary is a favorite. Finally it is simply
you watching me watching you, suspicious
of my presence. Where
did your consciousness go? I imagine it
hanging out at a single’s bar, bourbon and cigarette, waiting
still, for the right man to deliver you
from the reality of five children
in seven years. But you receive
a more practical Eucharist, your own body
placed on your tongue, swallowed.
Here’s the one that isn’t working out. Feel free to make suggestions. (Actually, feel free to make suggestions about any of these.)
The Grove
or
The Transplant
In a sibling group text about my move, Lee, agricultural water manager, advises starting over. “Digging up citrus is a BAD plan. The rootstock of modern hybrid trees sustain damage. Transplanted, it won’t do well.”
“She’s trying to save the tree she planted when mom died,” Lisa answers.
“It’ll live,” Lee says, “just stunted.”
“Can it bear fruit?” I ask. “I don’t need big.”
“Stunted trees bear the sweetest fruit. All the energy goes into fewer pieces. When we grew up, our stunted navel nearest Center Drive? Best fruit ever.”
“You're right,” John jumps in. “Best oranges I’ve ever had.”
Part 2: Library and book ban news
There was a lot of book news this week; these are some of the stories important to me. And they only go through Wednesday since I have been gone the rest of the week to help a friend.
How To Explain Book Bans to Those Who Want to Understand from Book Riot
I’ve shared this before, but it’s important and will be new to our newer subscribers.
Here are several talking points you can and should use with the people in your life who may otherwise not understand the complexity and seriousness of book bans happening in school and public libraries. It will not include everything, nor can it. Instead, this is meant to be for people who are eager to listen and learn but may be overwhelmed with where to even begin.
Texas State Board of Education proposes taking over school library book ratings. Here's why from the Austin American-Statesman
The proposal would give the elected education board significant power over determining what’s appropriate for public school libraries and would mirror legislation that has been filed by Rep. Jared Patterson, R-Frisco, who in 2023 authored the Reader Act, a law that placed the burden of rating books on vendors and has been on hold over litigation.
A process of rating books that children are reading in schools is best fit for the state board, said board member Tom Maynard, R-Florence.
…
If passed, HB 183 would largely rewrite a section of the 2023 Reader Act that has been under litigation since July 2023. Patterson's 2023 Reader Act requires book vendors that sell to school libraries to rate their material for either sexual relevance or sexual explicitness.
Book vendors — including Austin’s BookPeople — and library associations sued the state over the law, insisting it was overly burdensome to businesses.
…
Member Rebecca Bell-Metereau, D-San Marcos, worried that the task of wading through every possible book review request that could come before the state board from across Texas could be insurmountable.
“This would be a herculean task to read and rate all of these books,” Bell-Metereau said. “That just seems insane to me.”
Maynard also suggested local school boards would welcome the state board taking decisions about the appropriateness of library books out of their hands.
“They don't like having protesters in front of their building,” Maynard said. “For us, it's business as usual.”
First list of banned books in Knox County Schools released, schools have until winter break to remove them from WBIR 10 News.
The list was sent out to teachers and contains 48 books that are scheduled for removal from Knox County Tennessee public school libraries:
Me, Earl & The Dying Girl by Jesse Andrews
The Absolutely True Diary of a Part-Time Indian by Sherman Alexie
Go Ask Alice by Anonymous
Chopsticks by Jessica Anthony
13 Reasons Why by Jay Asher
Girls on the Verge by Sharon Biggs Waller
There's Going to Be a Baby by John Burningham
Draw Me A Star by Eric Carle
Perks of Being a Wallflower by Stephen Chbosky
Just Listen by Sarah Dessen
A Stolen Life by Jaycee Duggar
The Carnival of Bray by JessieAnn Foley
In A Glass Grimmly by Adam Gimwitz
Lighter Than My Shadow by Katie Green
Water for Elephants by Sara Gruen
Locke and Key: Alpha and Omega by Joe Hill
Locke and Key: Clockworks by Joe Hill
Locke and Key: Welcome to Lovecraft by Joe Hill
Identical by Ellen Hopkins
Tricks by Ellen Hopkins
The Kite Runner by Khaled Hosseini
Attack on Titan Vol. 2 by Hajime Isayama
Grown by Tiffany Jackson
DUFF by Kody Keplinger
The Walking Dead: Book Ten by Robert Kirkman
Gender Queer by Maia Kobabe
Monstress Vol. 2: the Blood by Marjorie Liu
Late Night at the Telegraph Club by Malina Lo
Empire of Storms by Sarah J. Maas
Tower of Dawn by Sarah J. Maas
The Way We Work by David Macaulay
Wicked by Gregory Maguire
Sold by Patricia Morrison
The Bluest Eye by Toni Morrison
Skin by DonnaJo Napoli
Out of Darkness by Ashley Hope Perez
Forgive Me, Leonard Peacock by Matthew Quick
Beautiful by Amy Reed
Mrs. Peregrine's Home for Peculiar Children - Graphic Novel by Ransom Riggs
You: The Owner's Manual for Teens by Michael Roizen
I Am Not Your Perfect Mexican Daughter by Erika L. Sanchez
In the Night Kitchen by Maurice Sendak
A Light in the Attic by Shel Silverstein
The 57 Bus by Dashka Slater
Blankets by Craig Thompson
Squad by Maggie Tokuda-Hall
Slaughterhouse Five by Kurt Vonnegut
Everything, Everything by Nicola Yoon
State school board cranks up heat on 1 book from Charleston City Paper
The S[outh]C[arolina] Board of Education on Tuesday voted on the fate of two books challenged by a parent under Regulation 43.170, a blanket school book-banning policy that took effect at the beginning of the school year.
The books in question — HMH Into Literature, an 8th-grade English textbook, and Crank, a novel by Ellen Hopkins — were challenged by Emily Clement of Fort Mill. The board opted to keep the textbook in classrooms, but restricted access to Crank to students whose parents sign an opt-in form.
Advocacy groups across the state have fought the state regulation, claiming that it will open the floodgates for mass book bans from politically motivated pro-censorship groups. …
Crank is a fictional, cautionary tale of a high school student whose life is derailed by drug addiction and a plummeting mental health. Hopkins, the novelist, spoke at the Dec. 2 press conference about messages she’s received from young readers.
“I’ve received over the years literally thousands of messages like that one in support of the book, telling me that the book turned them away from that path or gave insight into a loved one’s addiction or even encouraged them to become drug counselors or social workers,” she said. “Many of those people found that book in their school libraries or classrooms.”
A Year Among My Fellow Banned Writers from the New York Times
Gift link (you can read the full article) toi an essay by Sandra Cisneros, whose The House on Mango Street faces bans. Not only did we have it in our libraries, but we taught it in tenth grade English classes. (I taught English for 12 years before becoming a teacher librarian.)
The poet Joy Harjo has said books are medicine. If so, libraries are pharmacies with a prescription out there for every human. Parents have the right to supervise what their children read, but might they also consider that the book they regard as harmful for their own child may be the perfect remedy for another?
My first novel, “The House on Mango Street,” is among those deemed inappropriate by the South Texas book-removers. Most of the vignettes in the book were inspired by my time teaching at Chicago’s Latino Youth Alternative High School. My students were former dropouts who struggled mightily just to return to school. Some were gay, some were addicted to drugs, some were children raising babies, some couldn’t walk outdoors without being targeted by gangs, some were targeted by abusive boyfriends or parents. This was their reality. As their teacher and counselor, I had no means to heal their wounds beyond listening and telling their tales.
Because I wanted my novel to enter classrooms and libraries, I felt obliged to censor myself by writing about mature themes elusively, in a way that would sail over the heads of little ones. I needed my book to reach teens who were living these same stories, but I was also aware the stories might be read by younger readers, too. So I found myself crafting with care, respecting what children could handle at certain ages, since I certainly didn’t wish to offend anyone, especially parents and school boards. That’s why I told my truth, but told it “slant,” as the poet Emily Dickinson would put it, in a lyrical way so that the tale would be understood gradually by readers as they aged.
Michigan librarians back bills aimed at thwarting book bans From M Live Media Group
“Sometimes we forget that all ages, all abilities, all interests, all races, all religions, the rich, the poor, the traditional, the nontraditional families – they all have First Amendment rights as well, and we want to make sure that they can find materials of interest in the public library,” said Debbie Mikula, executive director of the Michigan Library Association (MLA).
Thinking of you at this time of grief and sending love! I found your poems about your mom quite moving - thank you for those. Also I reread your HuffPost essay and was struck again by every detail of your experience. It's a great essay (and so relatable to me, obviously.) I'm interested (and dismayed) to hear the essays empathizing in some way with your mom haven't been met with enthusiasm yet. I worry that the only story many want to hear is the "familiar" one, if it can be called that - the story of the hypocritical parents or other authorities and how they harmed us. A story in which there is a villain and a victim, in which we can be angry at the villain. When the truth is that it is so much more complicated than that - and there is an individual story to be told for each human. There are commonalities to our experiences for sure but there is individuality as well and certainly room for empathy for the trauma our own mothers experienced. I'm working on a novel as you know and l hope there will be room in the publishing world for complex characters. Anyway, thanks again for all this!